INTERACTION OF FINE ARTS AND MUSICAL ARTS ON GONG INSTRUMENTS IN TRADITIONAL GAMELAN

Anessa Nurhidayah, Silfi Antika

Abstract


Gong can be interpreted as a musical instrument made of bronze or other metal and has a flat round shape which is played by hitting it with a beater or percussion instrument (Javanese) in the pencu or middle part. This article discusses the interaction between fine arts and musical arts on the gong instrument in traditional gamelan. Gong, as one of the main instruments in gamelan, not only has a musical function but also stores rich visual beauty. This article aims to examine the beauty of the gong's form, including the ornamentation depicting the dragon, and how this visual beauty contributes to the musical experience produced when the gong is struck. The method used is a qualitative approach, the results of the study show that the beauty of the gong lies not only in its physical form, but also in the sound produced, which creates harmony between the visual and auditory. This article is expected to provide new insights into the importance of interaction between visual arts and musical arts in the context of traditional culture. In the context of gamelan, the gong composition form refers to a musical structure that is organized based on the use of gongs as markers of musical cycles or phrases. Gongs function to regulate rhythm, harmony and dynamics in traditional gamelan music, especially in marking gongan, which is a cycle or pattern of repeated melodies.

Keywords


Gong; fine arts; musical arts; gamelan; beauty

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DOI: https://doi.org/10.24176/arties.v2i1.14398

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